Fuckin up my production calendar

This last weekend was a giant disappointment for production in my world. The word about the music video shoot did not spread to enough people and I feel like a failure, but I'll let that feeling be my motivation for this next weekend. I have revised my production schedule for class and it is a lot tighter since I have lost a week to work on post with this debacle.

April-19- Work on spreading word about event

April-21- Shoot music video

April-24- Picture Lock/ Colorized Grading/Painting Effect/Double Vision/Echoing/Liquify Crit One

April-26- Crit two take notes, achieve perfection before final is due

May-1st- Turn in final edit

Due 4-17-12

Next Tuesday I will be coming into class with the first cut of the music video. I want to have the audio synced and picture locked. I feel that color grading will come after because I want to use After Effects Color Correction tools. I am planing on shooting the music video this saturday at nine. Using the first hour and a half to get a few clean run throughs of a one take shot through the space with the extras to make sure I get the feel and ambiance just right. The second part of the shoot will be used to get steady shots, during my play and development periods I have found that working with hand held and getting everything to work just right is a bit difficult. Not necessarily impossible but I want to make my life a little easier by having locked down steady footage.

Locations locations locations

Demo Reel Reviews

This first reel I am looking at is Derrick Sims Directer of Photo reel. I have followed this guys work and he actually taught me basic Film Production in high school. This demo reel runs a bit long and some of the shots toward the end have some weird distortion to them. I enjoy this reel because of how nice the shots are that he has chosen to included. I especially enjoy the "Come Morning" footage. The five or so minutes that we observe pass by quite fast in my opinion.



Salazar's video is breathtaking at a lot of points. This reel utilizes the rule of 10 and 12 quite well, never dipping in to an 8. I thoroughly enjoyed the pacing of the piece and found myself wanting more at the end. Overall I enjoy the use of the soundtrack for pacing, although I know it is not desirable to include that sort of editing when thinking about distribution and considering that lots of professional demo reviewers would kill the audio I still found it enjoyable even with the sound off.


Salazar Demo Reel from Salazar on Vimeo.

Erik Zimmerman's reel is probably one of my favorite professional Video Effects reels that I found. Erik is clear and concise on the parts of the work that he worked on. It is very clear to me during each shot what he contributed to the piece. Further more I thought it would be good to include a more "main" stream artist. He has done work for Michael Bay and worked on other largely commercial projects which is where I hope to get someday.


Erik Zimmermann's VFX Demo Reel from Erik Zimmermann on Vimeo.